PEER GROUP
Manscaping MP3 2012
http://www.controlvalve.net
What it’s not: music, fun. What it IS is is…. layers of feedback and noise to tickle and delight your inner ear demon. Twenty one minutes of what in the holy crap is that supposed to be? Feedback, effects. That type of thing. There are different elements, it’s not just one continuous drone. It’s like, let’s layer the biggest pile we can possibly do, all at once, till it kind of peters out toward the end. Why not. It’s not bad but it’s also not very enjoyable to listen to. If given the choice between Peer Group and Lynyrd Skynyrd, I would still choose Peer Group. I hope that never happens.
Ian C Stewart
AUTOreverse #14, summer 2011
John Gore
Cohort Records
‘kirchenkampf’
interviewed by
Ian C Stewart
John, thanks for answering a few questions. Let’s start with that old chestnut, influences. Who are your biggest musical influences and why?
If you mean who do I think I want to sound like, that depends on when the release came out. My style has changed a couple of times since I started in 1986.
My earliest experiences with electronic music were Tangerine Dream and Klaus Schulze. I was crazy about anything with synthesizers in it.
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AUTOreverse #14, summer 2011
Daniel Prendiville
interviewed by
Ian C Stewart
SO……DID YOU MISS AUTOreverse?
I did for sure. It was a real eye-opener for me. I had no real idea what was going on in the underground scene. Didn’t even know there was one, to be honest. AUTOreverse was always highly entertaining and provocative. Down in the main to your own personality…
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AUTOreverse #14, summer 2011
Mike Cosma
aka Xolostar Warrior
aka Anixas
aka Black Acid Development
interviewed by
Ian C Stewart
Mike, hello. Is there anything you’re feeling particularly mouthy about at the moment?
You know, I want to say things and shake people up and slap them silly and say “what are you thinking?”
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AUTOreverse #14, summer 2011
Jeremy Gluck
interview by
Ian C Stewart
Let’s start by talking about your musical influences. Who are your biggest influences and why? Who were your early musical influences?
My primary musical influences are actually quite orthodox and considering the character of my electronica tend not to fall into the more predictable categories. This is also because a lot my work expresses a part of myself that I live with but not always from. I grew up with rock music and with rock music I remain, especially Paul Westerberg and Van Morrison. I adore The Beach Boys, The Who, The Stooges, early Bowie, The Smiths and Morrissey. I love cheesy country and trucking music, but also Blue Oyster Cult and The Beatles. However, I enjoy electronic music, usually ambient, and also primo American punk, such as Husker Du and Ramones.
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AUTOreverse #14, summer 2011
Carrie Hodges aka
Auzel
interviewed by
Ian C Stewart
HOW/WHERE/WHEN WAS OLD RECORDED?
Old was recorded when I was young, in various ways and places, from 1991 to 2003. I was 18 when we recorded the two earliest songs on Chris [Reider]‘s crappy second-hand 4 track. We were living with my parents at the time, in a claustrophobic little room. Life kind of sucked. But that was 20 years ago, and I don’t remember much other than being incredibly self-conscious. When Chris had me improvise some singing over a track of his guitar playing, it was nearly impossible for me, and I was practically crying by the end. For the other early song, he and I sang into each other’s mouths. I can only describe it as a kissing didgeridoo. The feeling of the vibrations is what I remember.
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AUTOreverse #14, summer 2011
Dave Fuglewicz
interviewed by
Ian C Stewart
Let’s talk about your musical influences. Who are your biggest influences and why? Who were your early musical influences?
I would have to list Tangerine Dream and Klaus Schulze’s work of the 1970′s as major influences and a lot of the progressive rock movement of those days. Jimi Hendrix was and is a big influence of my musical direction. That may not be obvious since he was a guitarist, but in the sense of a philosophy of music that is free, experimental and willing to take chances.
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today is the day, august 17, 2011, worldwide release of “the haunting”, brand new ambient album from dave stafford – available now. the link is the album download, but you can also hear samples on the dave stafford discography page at www.pureambient.com, or download individual tracks via the pureambient store.
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AUTOreverse #14, Summer 2011
PBK
aka Phillip Klingler
interviewed by
C. Reider
First of all, congratulations on your twenty-five year anniversary! Twenty-five years is a long time to be doing anything, and I think you’ve been consistent and principled in pursuing realizations of your ideas, and deserve a lot of credit for that. Considering the occasion, I think it’s probably appropriate to start with something retrospective. Why don’t you tell me about the beginnings of your work with sound, and your first experiences with noise music?
Thanks for the kind words, Chris. I never think about things like that too much, although it’s nice that you said them, coming from you it’s quite a compliment! I do sometimes enjoy telling people how long I’ve been following my creative compulsions, it has it’s own absurd impact.
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Brian Noring and Hal McGee’s 2001 release, “Fortuitous Happenstance,” is now available online here. Get it!
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Love Calvin - “What’s Left, Volume Four,” now available for free download. These songs were done in 1989, around the same time as the album “Portrait Of Flesh.”
GET IT HERE.
http://www.lovecalvin.com/whats-left.html
LIKE IT HERE.
https://www.facebook.com/pages/Love-Calvin/132883900139166
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THE MIGHTY ACCELERATOR
Soccer Mom EP, Download, 2011
http://themightyaccelerator.bandcamp.com/
Funtime hard-rockin’ rock band songs that are equal parts Midwestern punk and classic rock. Cowbell AND double-kick drumming in the same song. Kind of like a lighter Motorhead, something like that. “Shake It” opens with some heaviness, and the chorus reminds me of Tad. Stylistically it sounds like a mashup of Celtic Frost and Cinderella. This would make a nice 7″ vinyl single, I’m sure Andy would’ve done that back in the day. “Mustache Foam” has dynamics and riffs for a semi-epic vibe. The production is nice but not so overpowering that I feel the need to mosh here, or stagedive off of my desk. Clean and professional in a good way, and fun.
Ian C Stewart
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Physical Release download, May 2011, http://www.controlvalve.net
These guys are a two-man noise riot. This piece is a 27 minutes worth of everything but music. You got several types of feedback, shrill samples and loops, all percolating in real time. This was created live. Certain types of people are drawn to the fringes, the hard, painful, line-in-the-sand that just makes it impossible to think or breathe. Too much of this will ruin your hearing and make you go blind, or maybe that’s just me. Tag me out, I can’t finish listening to the entire piece!
Ian C Stewart
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http://www.vuzhmusic.com/releases/unseelie.html
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ANIXAS
Outer Space Located In Debris Field EP – Jamendo download, 2011
http://www.jamendo.com/en/album/96196
Repeat of the 3P. Weird ambience, screaming, reverbed to hell, sounds like the soundtrack to an old martian film, you know the one. “Large Cargo Ship” features a nice pile of samples and synthesizer splats and filters. “Search For Life Forms” is a a sparse take on robotic vocoder sounds. If this is a concept album, then we take this track as literally being a search for lifeforms. “Feeling Isolated On The Ship” is very similar, albeit with more bass in the vocoder.
Ian C Stewart
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AUTOreverse #14, Summer 2011
DINO DiMURO INTERVIEW
Questions by Russ Stedman
Do you remember the first record you bought?
Very hard to say. For singles, it could have been PINBALL WIZARD by the Who, or CRIMSON AND CLOVER by Tommy James and the Shondells. Albums, it was probably GOD BLESS TINY TIM or the soundtrack to BONNIE AND CLYDE. And I’d still buy those records. Maybe not HAIR, though.
What bands from childhood have you NOT outgrown?
Probably the Beatles, Beach Boys, Captain Beefheart and Frank Zappa. Jimi Hendrix, the Who, and Black Sabbath are still great but I played them way too much. Jethro Tull and Deep Purple, I feel kind of silly now that I was SO into them.
AUTOreverse #14, Summer 2011
TEXTBEAK
interview by
Ian C Stewart
Is there anything you’re feeling particularly mouthy about at the moment?
there is a music in the roosts, from deadly war teams of the wildlife colony tubes. Shy is the Wildlife of conflicting del fuegos and the orthodox Soul Nets of recent mystery. in a worship, Nations existed in dinosaur cries of hades.
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Join Russ Stedman at bandcamp for the rest of the summer. Admission is only five dollars, and it includes this hot new compilation of Stedmusik.
http://russstedman.bandcamp.com/
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